Möped Lads | Catch-A-Five | Billy Alibi

Die alte Punk Familie aus Sedel Zelle 12 entert wieder einmal den Sedel-Club für eine neue Runde Punk Rock zusammen mit Freunden auf der Bühne und an den Plattenspielern.

Billy Alibi
Here we are…. Seit 2019 in dieser Besetzung unterwegs und an den ersten Konzerten für Aufsehen gesorgt. Billy Alibi spielt harte Riffs gepaart mit eingängigen Melodien. Wir stehen für schnellen, lauten und explosiven Punkrock mit Einflüssen aus diversen Genres.

Frenzal Rhomb | Support: Snotty Cheekbones

Back in the mire of the early nineties, from somewhere beneath a pile of wallet chains and cut-off army pants Frenzal Rhomb emerged, their white suburban fingers clutching onto goon casks and bucket bongs and other appropriate paraphernalia. Before too long those fingers wrote riffs and those riffs became songs and their voices sung rhyming swear words in perfect(ish) three-part harmony. This went on for a while.

The Casualties | Rumkicks

The Casualties wurden in den frühen 90er Jahren auf den harten Straßen der Lower East Side in New York City gegründet und sind eine ikonische Streetpunk-Band.
Seit drei Jahrzehnten veröffentlichen The Casualties ununterbrochen Alben und tourten durch die Welt von Guatemala bis Estland.

Korea, RUMKICKS! Dirty, upbeat sing-a-long punk delivered by a gang that will skewer you and cook you on an open flame!

Total Chaos | Support: Möped Lads

After a self-released single and full length LP, a Latin American tour, a debut album on Epitaph (1994's ear-shattering Pledge of Defiance), numerous arrests for Punk and Disorderly conduct, and a shitload of Food Not Bombs charity shows, Total Chaos' five years of existence in smelly Ontario, CA have culminated in the release of Patriotic Shock. Pledge of Defiance was the toughest and most deviant record ever released on Epitaph, but with the addition of Germ on guitar, Total Chaos has created a slab of the crustiest punk rock plastic ever recorded.

The Exploited

Riot starting, bouncer bashing, cop baiting, hotel trashing, foul talking, noise making, chaos causing, venue wrecking, government hating, rule breaking, piss taking, unrelenting, punk rocking. Clearly we’re not talking about Pepsi adverts here, or indeed the many so-called punk bands that would gleefully sell themselves to such corporate giants for a palm full of silver. Whoo-hoo! The taste of a generation! Fuck off!

Let’s get one thing straight: The Exploited are not ‚punkers‘ or any of the other cutesy, watered down, MTV friendly names you might want to call them.

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